DENVER
DENVER

About Me

Good design removes

the distance between an

idea and the person

it's meant for.

(THE APPROACH)

I am JT, an Emmy-winning designer and creative lead working across brand systems, motion, campaigns, live experiences, and visual storytelling.

I think in stories first. Before there is an asset, a layout, a frame, or a system, I am looking for the thread: where the audience begins, what they need to understand, what they need to feel, and what will help the idea become clear enough to move.

That way of thinking started in broadcast and motion, where timing, hierarchy, and sequence have to work in seconds. There is no room for decoration that does not serve the moment. Every transition, title, graphic, and beat has to help someone understand what is happening before their attention moves somewhere else.

Over time, that instinct moved into larger systems: brand campaigns, enterprise pursuits, event environments, digital experiences, and creative work that has to hold together across teams, channels, rooms, and deadlines. I have learned that strong design is rarely just about making something look finished. It is about giving an idea enough structure, feeling, and direction to survive the complexity around it.

My work sits between strategy and execution. I shape the idea, the visual language, the sequence, and the system behind the work, then help carry it into the places where people actually encounter it: screens, stages, campaigns, presentations, environments, and moments of decision.

As a leader, I value clarity over control. The best creative direction does not make every choice for people. It gives the team a shared story, a clear frame, and enough trust to bring stronger thinking forward.

The goal is simple: reduce confusion, create belief, and make work that people can understand before they have to explain why it matters.

Impact

10+

YEARS OF SENIOR CREATIVE EXPERIENCE

$200M+

IN BUSINESS INFLUENCED

1,609%

ENGAGEMENT GROWTH

4.9/5

SATISFACTION SCORE

Trusted by founders, creative teams, and growing brands that need clear direction.

(CLIENT NOTES)

(CLIENT NOTES)

  • JT brought a level of strategic clarity to our rebrand that we didn't expect from a designer. He didn't just make things look better. He helped us understand what we were actually trying to say, and then he made sure every visual decision reinforced that. Our brand recognition went up 20 percent in the first quarter, and that's because the thinking was sound underneath it all.

    Morgan Ellis

    Senior Partner, Marketing

  • Managing a live event is chaos. JT made it feel structured. He consulted on everything from stage graphics to wayfinding to digital signage, and because he'd thought through the system beforehand, decisions moved fast. We added 26% more attendees to our largest event, and his creative direction was part of that.

    Caroline Mercer

    Events Junior Partner

  • I've worked with a lot of designers. Most deliver assets. JT delivered strategy that became assets. He didn't just design a system. He helped us understand why we needed one, what it should solve, and how to maintain it as we grow. That's the difference between a vendor and a partner.

    Lauren Caldwell

    Senior Principle Designer

  • I worked under JT as a contract designer at Flexential for two years, and his leadership made a lasting impression. He brought clarity, creativity, and strong art direction to brand development, motion graphics, 3D work, and the FlexAnywhere™ launch. Just as importantly, he created a collaborative environment where designers could do strong work and grow.

    Victoria Hayes

    Senior Designer, Contract

  • JT led our design overhaul during a restructuring period when we'd lost people and momentum. He didn't just rebuild the team. He rebuilt how we work. The intake system he designed cut our project turnaround in half, and the team actually wants to come to work now. That's leadership, not just design.

    Jonathan Pierce

    Senior Vice President, Marketing

  • I have worked with JT on two different teams and his creativity is amazing. He takes an idea and makes it into something even better than you could have imagined - whether it's design, video or motion graphics. We put together a Livestream of a data center groundbreaking with little equipment and resources that looked amazing and attracted more than 1000 leads. He's a joy.

    Allison Hart

    Vic President, Product Marketing

(1)

(2)

(3)

(4)

Strategy

Brand

Campaigns

Experiential

Strong work begins before the first visual move. I define what a brand must mean, how it should behave, and what has to stay intact as the work grows past the room it started in.

I build visual languages with enough structure to scale and enough feeling to be remembered. Identity, type, hierarchy, and rules a team can carry without me standing beside them.

A campaign needs more than assets. It needs one idea strong enough to move through social, paid, web, events, and sales without thinning out along the way.

Some work has to land in seconds. I shape the graphics, signage, motion, and live moments so a room understands before it begins to analyze.

(SERVICES)

white box on green table
opened page Valentine magazine
Minimalist laptop mockup on a stone pedestal with dramatic warm sunlight and shadow patterns.
Extreme close-up of a person wearing silver sunglasses covered in water droplets with a wet skin aesthetic.

Strategy

(1)

Strong work begins before the first visual move. We define how the brand should be read, where it should stand, and what needs to remain clear as the system grows.

Profile view of a person wearing a white head covering against a dark background.

Strategy

(1)

Strong work begins before the first visual move. I define what the brand must mean, how it should behave, and what needs to stay intact as the work expands.

white box on green table

Strategy

(1)

Strong work begins before the first visual move. I define what the brand must mean, how it should behave, and what needs to stay intact as the work expands.

white box on green table

Design

(2)

We build visual languages with structure behind them. Identity, typography, layout, and interface are shaped to feel calm, precise, and immediately legible.

Brand

(2)

I build visual languages with enough structure to scale and enough feeling to be remembered: identity, typography, hierarchy, layout, and rules people can actually use.

opened page Valentine magazine

Development

(3)

Our build process is measured from the start. We create digital environments where performance, responsiveness, and interaction are resolved with the same level of care as the visual layer.

Campaigns

(3)

Campaigns need more than assets. They need a central idea strong enough to move through social, paid media, web, events, presentations, and sales without losing force.

Minimalist laptop mockup on a stone pedestal with dramatic warm sunlight and shadow patterns.

Campaigns

(4)

A campaign should do more than attract attention. It should sharpen recognition, carry the brand forward, and hold a clear visual line across content, launch moments, and paid media.

Experiential

(4)

Some work has to land in seconds. I shape event graphics, signage, presentation systems, digital moments, and motion support so the room understands before it analyzes.

Extreme close-up of a person wearing silver sunglasses covered in water droplets with a wet skin aesthetic.

Experiential

(4)

Some work has to land in seconds. I shape event graphics, signage, presentation systems, digital moments, and motion support so the room understands before it analyzes.

Extreme close-up of a person wearing silver sunglasses covered in water droplets with a wet skin aesthetic.